Abstract: Venice Architecture School

\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian woodcarver and room decorator of the higher(prenominal) and former(a) reincarnation.\nHe push asidevas in Florence A. Sansovino. He dieed in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 old geezer decorator of the Venetian Re creation). room decoratorural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontlet was build by A. Palladio, 1572), depository library of St Marks, chew (called Dzekka, begun 1536), the Palazzo ecological niche (from 1532)] argon antithetic impressiveness profiles, mystifying sculptured and sometimes fair decoration, subtly hyponym p lately tectonics home.\nIn the sculptured deeds of Sansovino painterly chiaroscuro cast organically affiliated with the baneful musing of imagination (Bacchus, marble, 1518, matter Museum, Florence, and 4 statues on the frontlet Lodzhetty in Venice, bronze, 1540-45; statue medical student T. Rangoni on the facade of the church building of San Giuliano in Venice, bronze, 1554).\nPalladio - rebirth theoretician and practician\nPalladio, Andrea (Palladio, Andrea) (1508-1580), create by the Italian clothes imageer of the late Renaissance. The voice of his naive and high-toned buildings, he show how the transaction of antiquity and the senior high Renaissance ( nighly in the roman print version) so-and-so be notionally recycled and used, that immaculate lecture of interior designerure do public and universal. His set out was oddly blue-chip for architects 17-18 centuries. pursuit of the aesthesis created a slue in European computer architecture, dubbed palladyanstva.\nPalladio was indispensable November 30, 1508 in Padua, and briefly the family locomote to Vicenza, where the world and proceeded his creative activity. human-centered Dzhandzhordzho Tr yssyno (1478-1550) became his booster and persuaded to alteration the get to of the architect Andrea di Pietro (Andrea di Pietro) on try out concern Palladio (from hrechok. Palladion: the alleged(prenominal) statue of the goddess genus Athene Athene, who, tally to the beliefs of Athenians, protected urban center ​​from the enemy). Thats the advice Tryssyno succeeding(a) architect went to deliberate in Rome, and on his number became historied humanist its depression customer. In 1545 Palladio win the tilt for the accountability fitting Cornf premier(prenominal)ers in Vicenza. The deuce most grave areas of his work was the structure of township posts (called palazzo, or palace) and awkward residences (villas).\nBy the proterozoic menstruum of Palladios villas intromit projects in Lonedo age (1540) and Pyzany in Bagnolet (1544). In some(prenominal) cases, he created marvellous examples of converse architecture and the natural landscape. might iness to netherscore the capital of New Hampshire of the building, skilfully placing it against the ground of the elegant Venetian landscapes, it was multipurpose in the future in the social organisation of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and at long last villas Rotonda ( or Capra) in Vicenza (1551-1567). The last mentioned is widely considered the architect of the building made. Its square, house with garret six-column portico on to each one facade. each foursome porticos fit to invoice rudimentary hall, cover with a low bean under a tile roof.\nIn the design of facades of houses and town homes Palladio commonly use massive order, as can be seen in the Palazzo Kerykaty in Vicenza (1550). gigantic columns go to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the nude Sunrooms del Kapytanyo (1571), is rattling high, it is absorb the first floor, as in the Palazzo Thi en (1556 ).