Stylistic Analysis of Zombieland

Zombieland is a learn where a clutch of stylistic pickings were do. oddly the break blastoff says a lot about the conduct and the pillow slips. Mise-en-scene, cinematography, editing and straits shape the fritter forwards power on the great dealer. The image begins in the midway of a automaton spirit apocalypse. The commencement gap is unbalanced to prime our expectation that something hit out change position. The scissure is of the Ameri give the sack flag, which is rivet while the background is unfoc utilize which agency it indicates that the flag is of importance.From the close-up of the American flag we get a handheld panning fissure of a car crash, this shows us a deeper consequence America has fallen. While the histrion stands up with his body-mounted camera it creates an gloss of a fleck of view shot, tracking what the eyes ingest. This illusion is emphasized after a zombie is attacking the character. The point of view shot transitions into a close up of the zombie breaking the fourth wall by looking right into the camera. The entire opening scene has titles in them that change each few seconds as the previous actor has destroys them.The word picture producers use bold red eccentric for the titles. Red is used because it symbolizes p arenthood and terminal, which represents the bloodletting within the film. The titles be the actors/actress, production and filmmakers names. a nonher(prenominal) artistic choice is the use of ramping the entire sequence is slowed calibrate to slow motion. This gives the sequence a prominent effect and it increases the intensity of the moment created by and by the picture fade away. When it fades back the first scene of the movie is shown. The exposure during the unanimous movie is half a break away darker than a usual exposure.The color of the film is natural, which gives the movie a to a greater extent pragmatic tone. It shows the origination as it is. What similarly becomes ci rcumpolar in this film is the unrestricted narration. sum that we are only confined to what the character represents and since it takes place in the time of a zombie apocalypse, it gives the story a true-to-life(prenominal) savour, this because we function unrestricted too. We only see something when we are directly looking or sensing it. For exemplify capital of Ohio we see the world chiefly with his eyes. Columbus narrates the entire story. Herewith we built up a relationship with this film character.We feel sympathy for him. Big motifs in the film are his rules of survival and a parallelism where Columbus is talking about the death (of a zombie) of the week with Tallahassee. Columbus mentions these things quite a few times in the film. Sound is also a large(p) part of the film. There is a non-diegetic soundtrack used passim the title sequence, which is rock unison and when the American flag appears, the music changes to the American anthem, which is moderately lower pitched and distorted. This adds to the full-page imagery of the film. Then you also pass on Columbuss observations and comments that run finishedout the film as well.Director and editor also used diegetic sound, which is main(prenominal)ly used for the emit of the zombies when they are attacking people. The sound of the zombies grumble is low pitched and the amp well-lightedude of the vibrations is loud. Another big part of the film is mise-en-scene. For instance the mountain throughout the film the filmmakers made use of a lot of local anaesthetic areas give care on location grounds. Zombieland was put down in Atlanta, GA so they used a lot of practical locations like the grocery store and the amusement putting green in which a big press out between the living and the undead played out.The settings the conductor and producer have chosen are not typical for a inconsistency film since theyre well lit daily life locations. The lighting is mainly high key, which emphasiz es the use of the setting since this amiable of lighting gives an upbeat bodily fluid to the scene. The establishing shot of the post-apocalyptic world is mainly lit dim to show how annihilated the world is. lifelike light is not often used. Although the setting and lighting are not conventional horror they are all unimaginative for television, like sitcoms and comedies, which is what the film is going for since its main genre is Comedy.The overall lighting in the film makes the situation of the people in more factualistic. It seems that this could happen in the real world. Another part, which is also important for the mise-en-scene, is composition and the costumes. Costumes and create are different for the existence and the zombies. The zombies are covered in blood their body seemed to rot and their costumes are ripped away from their body. The humans are dressed in everyday clothes with simple make-up. The make-up of the zombie is mainly paint-brushed realistically, refle cting the stereotypical horror genre.The Comedy in this film is shown through facial nerve expressions and body language. During the whole film the axis of rotation of action is hold, ensuring that the position of the somebody in the frame remains a consistent screen duration and eyeline. If the axis of action would not be maintained it could create jump cuts this could also see the mood and sphere of the film, which could distract the audience. The temporal continuity in the film is in complete continuity. None of the sounds are elided this makes the scene more intense because the viewer is not distracted by the sound that is slightly jumped over.The flashbacks cause certain disunity in the film, since they are not elements that fit in the already established pattern. Columbus is geeky and neurotic character, as is shown through his narration during the film. It reveals that he is lonely, and through the cinematography it becomes clear that his devastation is the solemnity of the film. This by showing how the world to him became to hiss storm. The way it was shot shows his view on the world and how terrible it became. This makes him correct more aware of how lonely he is since there is nobody he can interact with. He cant even escape into his virtual world like he used to.Even low-key lighting shows how grim the world became to him. The setting also contributes to show his loneliness, like the freeway, which is abandoned. His facial expression during the movie is expressing one mood anxiety. Even when he is with Tallahassee he carries around the feeling of anxiousness and starkness until he meets Wichita. This is when the setting changes to a more colorful and saver surrounding observance Murrays house. All in all, this film is about Columbuss loneliness and how that develops throughout the movie with the help of legion(predicate) techniques as cinematography, mise-en-scene, sound and editing.